Vinny Golia plays FORESTONE reeds

Vinny Golia on Forestone reeds:

"I had seen pictures of the Forestone Reeds online and was extremely curious about the sound and quality of this new synthetic reed. At the

2011 Namm show in Los Angeles I was given a sample baritone saxophone reed and when I tried it, I was just blown away.

This reed performed in all areas of saxophone playing: tone, articulations, response, you name it. My baritone responded so well I thought for sure this was a fluke. I contacted Forestone immediately to express my admiration for such a technological achievement. The baritone is one of those horns where it's difficult to create your own sound and maintain it, my job had just become a lot easier. When I received some further samples, the consistency of the product confirmed all the things I had experienced before. I contacted the Forestone Company to inquiry about endorsing their product. Now I use their reeds on soprano saxophones, tenor ( a godsend for me as I have never truly appreciated my sound on this instrument), clarinets and of course baritone. I am anxiously awaiting the new Forestone Bass Clarinet reed as this is another instrument I perform on very frequently."

Biography:

As a composer Vinny Golia fuses the rich heritage of jazz, contemporary classical and world music into his own unique compositions. Also a bandleader, Golia has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Golia has won numerous awards as a composer, including grants from The National Endowment of the Arts, The Lila Wallace Commissioning Program, The California Arts Council, Meet the Composer, Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982 he created the on-going 50 piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles.

A multi-woodwind performer, Golia's recordings have been consistently picked by critics and readers of music journals for their yearly "ten best" lists. In 1990 he was the winner of the Jazz Times TDWR award for Bass Saxophone. In 1998 he ranked 1st in the Cadence Magazine Writers & Readers Poll and has continually placed in the Downbeat Critic's Poll for Baritone & Soprano Saxophone. In 1999 Golia won the LA Weekly's Award for "Best Jazz Musician". Jazziz Magazine has named him as one of the 100 people who have influenced the course of jazz in our century. In 2006 The Jazz Journalists Association honored him with a Lifetime Achievement Award.

Golia has also contributed original compositions and scores to ballet and modern dance works, video, theatrical productions, and film. As an educator he has lectured on music and painting composition, improvisation, jazz history, the history of music in film, CD and record manufacturing and self-production throughout the United States, Europe, Mexico, New Zealand and Canada. In 1998 Golia was appointed Regent's Lecturer at the University of California at San Diego and currently teaches at the California Institute of the Arts (CalArts). In 2009 Golia was appointed the first holder of the Michel Colombier Performer Composer Chair at CalArts.

Golia has been a featured performer with Anthony Braxton, Henry Grimes, John Carter, Bobby Bradford, Joelle Leandre, Wadada Leo Smith, Horace Tapscott, John Zorn, Tim Berne, Bertram Turetzky, George Lewis, Barre Phillips, The Rova Saxophone Quartet, Patti Smith, Harry "the Hipster" Gibson, Eugene Chadburne, Kevin Ayers, Peter Kowald, John Bergamo, George Gruntz Concert Jazz Band, Misha Mengelberg, Han Bennick, Lydia Lunch, Harry Sparrney and the Los Angeles Philharmonic Orchestra amongst many others.

www.vinnygolia.com